©2019 Paulina Ascencio 

Edgar Cobian

$850.00Price

Untitled, 2018

Serie, rayo verde

Watercolor and india ink

40.5 x 29.5 cm

Unique

 

Unframed.

 

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Sin título, 2018

Serie, Rayo verde

Acuarela y tinta china

40.5 x 29.5 cm

Pieza única

 

Sin enmarcar.

 

  • Edgar Cobian

    Edgar Cobian                    

    (Guadalajara, Mexico, 1978)

    Lives and works in Guadalajara, Mexico

     

    He studied the Visual Arts Degree at the University of Guadalajara, he was a Scholar of the Young Creators Program of the National Fund for Culture and the Arts, FONCA (2011-2012).

     

    Individually, he has presented: Sed de Infinito from the Doble program at the Zapopan Art Museum (Zapopan, México, 2017). It has been said that the revolution does not need art ... Guadalajara 90210, and History Usually Be a Hideout of Tyrants, Intervention in situ, Museum of the City (Guadalajara, Mexico, 2017 and 2013 respectively). Field days, Showcase. (Guadalajara, Mexico, 2009); Odre, Charro Negro Gallery. (Guadalajara, Mexico, 2008); Spring, Raúl Anguiano Museum. (Guadalajara, Mexico, 2007); and Trick, Casa del Lago (Mexico D.F., 2005), among others.

     

    He has participated in multiple collective exhibition projects at international level, among which are: Kitchen Debate in collaboration with Rawson Projects, Regina Rex and Site95 (New York, 2017), Fábulas sin moraleja, Casa del Lago (Mexico City, 2017) ), Cabinet HE: Destroy All Your Humanity, The Mistake Room as HUB: Páramo. The Mistake Room, (Los Angeles, USA, 2016); The call of the Strange God, Museum of the Oaxaqueños Painters. (Oaxaca, Mexico, 2015); Crisis Complex, Tin Sheds Gallery. (Sydney, Australia, 2012); Manifestly Present, Kasteel Oud-Rekem. (Liden, Belgium, 2012); Still Lifes, Diablo Rosso Gallery. (Panama, Panama, 2012); La Quebradora, MCCLA, Mission Cultural Center for Latino Arts. (San Francisco, CA. USA, 2012); Alarm! Death Be Kind Gallery. (Melbourne, Australia, 2011); Everything Must Go, Casey Kaplan Gallery. (New York, NY, USA, 2011); Third Beijing International Art Biennial 2008; Standing on One Foot, Triangle Project Space. (San Antonio, TX, USA, 2007).

     

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    Edgar Cobian

    (Guadalajara, México, 1978)
    Vive y trabaja en Guadalajara, México

     

    Curso la Lic. En Artes Visuales en la Universidad de Guadalajara, fue Becario del Programa Jóvenes Creadores del Fondo Nacional Para la Cultura y las Artes, FONCA (2011-2012).

                            

    De manera individual ha presentado: Sed de Infinito del programa Doble en el Museo de Arte de Zapopan (Zapopan, México, 2017). Se ha dicho que la revolución no necesita al arte... Guadalajara 90210, y La Historia Suele Ser un Escondite de Tiranos, Intervención in situ, Museo de la Ciudad (Guadalajara, México, 2017 y 2013 respectivamente). Días de campo, Vitrina. (Guadalajara, México, 2009); Odre, Galería Charro Negro. (Guadalajara, México, 2008); Primavera, Museo Raúl Anguiano. (Guadalajara, México, 2007); y Trick, Casa del Lago (México D.F., 2005), entre otros.

                            

    Ha participado en múltiples proyectos de exhibición colectivos a nivel internacional, entre los que se encuentran: Kitchen Debate en colaboración con Rawson Projects, Regina Rex y Site95 (Nueva York, 2017), Fábulas sin moraleja, Casa del Lago (Ciudad de México, 2017), Gabinete H-E: Destroy All Your Humanity, The Mistake Room as HUB: Páramo. The Mistake Room, (Los Ángeles, EUA, 2016); La llamada del Dios Extraño, Museo de los Pintores Oaxaqueños. (Oaxaca, México, 2015); Crisis Complex, Tin Sheds Gallery. (Sydney, Australia, 2012); Manifestly Present, Kasteel Oud-Rekem. (Liden, Belgica, 2012); Still Lifes, Galería Diablo Rosso. (Panamá, Panamá, 2012); La Quebradora, MCCLA, Mission Cultural Center for Latino Arts. (San Francisco, CA. EUA, 2012); Alarma! Death Be Kind Gallery. (Melbourne, Australia, 2011); Everything Must Go, Casey Kaplan Gallery. (New York, NY. EUA, 2011); Tercera Bienal Internacional de Arte de Beijing 2008; Standing on One Foot, Triangle Project Space. (San Antonio,TX, EUA, 2007).

     

     

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